Bernard Parmegiani's soundtrack to Michel Treguer's Rock (1982) may not be an acousmatic masterpiece but it's an enjoyable exercise in mood pieces for a motion picture, more akin to classic electronic library music, perhaps, than anything else. Or John Carpenter's minimalist techno soundtracks. Then again, Depart reminds me of Tangerine Dream's Sorcerer soundtrack from 1977. It's all pared down, minus the space and depth we're accustomed to with Parmegiani, but the uptempo tracks bubble along like proto-'techno' and some of the atmospheric slower pieces succeed in conjuring up images desolate, possibly hostile alien environments (I haven't see the film - who has?). I particularly like the trombone on Serge Assommé. Us fans are just glad of something new from Him and if this snack tempts newcomers to start feasting on the 'main course' all the better.
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