Here's a first - (not) reviewing (plugging!) an unfinished album. Well, not many are made week-by-week with each new track posted online. What a wag Paul Snowdon is and what a great artist (that's his cover). Vellum Generator is taking shape before our very eyes (and ears). If you know Time Attendant's work, you'll be as keen as I am to hear what comes next and just as pleased with what we have so far. The usual attention to detail which elevates him above the pack has been fully applied, down to the sharpest sonic detail, without loss of focus or feeling for man-machine interaction that typifies his work. Yes.
For those in the no...
Showing posts with label Time Attendant. Show all posts
Showing posts with label Time Attendant. Show all posts
Tuesday, 14 July 2015
Time Attendant - Vellum Generator
Here's a first - (not) reviewing (plugging!) an unfinished album. Well, not many are made week-by-week with each new track posted online. What a wag Paul Snowdon is and what a great artist (that's his cover). Vellum Generator is taking shape before our very eyes (and ears). If you know Time Attendant's work, you'll be as keen as I am to hear what comes next and just as pleased with what we have so far. The usual attention to detail which elevates him above the pack has been fully applied, down to the sharpest sonic detail, without loss of focus or feeling for man-machine interaction that typifies his work. Yes.
Friday, 27 June 2014
Time Attendant - Bloodhounds (Exotic Pylon)
From Sun Ra's cosmic keyboard thrashing on Gods Of The Thunder Rain (Live At Montreux) to Time Attendant's Ermine Fever, that was my sonic experience this morning and the two were quite compatible. Afro future past, analogue future present - they're linked by different approaches to percussive rhythm, the natural and mechanical/sampled. Sun Ra is partial to a chant, but whoever is saying what cannot be understood on Ermine Fever adds to the the mystery and atmosphere (like a lost soul in space crying out to be saved).
(Is that link tenuous? Possibly.)
Paul Snowdon always avoids falling into the ghostly-by-numbers trap and this record is no exception. Nettle Sting Riddle conjures up the spirit in the machine without resorting to spook cliché; packed with small details, layered ethereal textures of twilight twinkling, field samples and tormented equipment. Inky's Patch has a basic dub-style template which in the hands of others would be just that with whizzy effects, but what Snowdon adds to the background colour on this canvas exceeds what most mortals would imagine. The simplest of melodies is warped with varying bass tones, subtle echo and swooping electronic punctuation.
Horses, horses! There's one on here (Flashy Pointer). And a barking dog. Many samples (?) and field recordings are buried in the mix. The mix is everything. The composition, if you like, if that's not lending it too much weight. I don't think so. Snowdon does compose and in that he's a rarity amongst modern electronic music makers. Without exactly being radical and sometimes using simple beats, he still pieces together tracks that continue to present previously unheard components upon replaying. Bloodhounds may not get into top gear speed-wise, but as some tracks chug along your brain is bound to get chewed up in the cogs of Snowdon's cunning mechanics.
Exotic Pylon
Sunday, 12 January 2014
Treacherous Orb - Time Attendant (More Than Human)
Paul Snowdon's new E.P. for More Than Human doesn't exactly grab your attention from the start with Iridium Watcher, but this being the post-human space-age of electronic seduction you will succumb to the unearthly delights on offer, I promise.
The opener's apparently simple sound disguises a great deal of content just beneath the surface of the minimal riff, like a distant planet on which we think there may be life. A voice breaks through the light static and crackle, but we have no idea what it's saying. The composition evolves and revolves wonderfully.
Whilst Voider's Delight initially suggests the golden age of the Radiophonic Workshop, this is no bleep-by-numbers via the button marked 'Retro'. Snowdon introduces an organ halfway through which adds just the right amount of depth, albeit fleetingly, yet retains the beautifully simple Beeb sci-fi soundtrack feel. Lethargy Quest is darker territory, proving this artist's ability to conjure various moods successfully. Anchored by a single bass note, the rest of the sounds warble and ping into orbit, complete with the subtle use of musique concrète. As if to suggest a fondness for the old genre know as Hauntology, on the title track Snowdon deftly places the call of a crow as just one snippet. It works, but in this context I actually thought there was a crow about when playing it outside. Cloud Dowsing ups the tempo without overdoing it, thus presenting the perfect image of the Future past to these ears, as does the whole E.P.
A bonus treat comes in the form of Dolly Dolly's spoken word intro to The Hexapod Star Shuffle. 'Animal head and sun disc'? Very suggestive of cosmo-Egyptology and quite perfect. Only 300 to be released on vinyl, so get a move on.
More Than Human
Time Attendant
Thursday, 2 January 2014
Happy?
Looks out at the world...
...'Mmm'...goes back to bed...
New Year. Happy?
New Year resolutions:
more...
electronic music
art
literature
writing
...here...
no changes then
The new year starts well with a great E.P. by Time Attendant upcoming on More Than Human.
More on that soon.
It's not easy being me.
It's not easy being you, is it?
No matter.
Despite the responsibility I have towards a world eagerly anticipating my words and art I shall struggle on...
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