There’s something of James M. Cain’s fatalism here, but without his writing ability. In fact, Hallas isn’t a great writer by a long way, but he keeps you reading through this tale of a man seeking one thing, finding another and inadvertently destroying that which brings him true happiness.
A small cult seems to have sprung up around this book, actually, although descriptions such as ‘hardboiled’ or ‘noir fiction’ don’t really fit the bill; Hallas' prose isn’t tough enough for that. Still, there’s enough here to elevate it above the predictable pulp fodder.
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